"At the St. Kunigundis Catholic Church in Bettenhausen, Atis Rezistanz has staged an exhibition that is, at turns, haunting and ambitious in its artistic and historical scope. [...] Leah Gordon’s ‘Caste Portraits’ (2012) trace ‘the practice of the grading from black and white of skin colour, which marked the extent of racial mixing in 18th-century colonial Haiti’ to demonstrate the ‘lengths the imagination can go to when driven by racial prejudice’." — Andrew Durbin, Editor-in-Chief of Frieze, on Atis Rezistans at documenta fifteen, featuring Leah Gordon's 'Caste Portraits', 2012 .
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